EmMaj11 guitar chord

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The standard grips this chord is usually shown with.

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About EmMaj11root position

EmMaj11 is E, G, B, D#, F# and A EmMaj9 with the eleventh added on top.

It sounds dense and unresolved. Something is always omitted; the ♭3 and the natural 7 are what must not be.

EmMaj11 root position guitar chord diagram: E, G, B, D#, F#, A, played 001002
EmMaj11 root position, 001002 — the shape above, as a picture.

EmMaj11 notes and formula

Notes and interval formula
EGBD#F#A
1♭357911

Minor tonic — the melodic minor as far up as a guitar carries it.

Also written EmM11 or Em(maj11). The same chord either way; which spelling you meet depends on who wrote the chart.

How to play EmMaj11

EmMaj11 in root position puts E in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

6 of EmMaj11’s 7 common shapes do this: 001002, xx2243, x75875, x77887, x77997, 12-12-13-12-12-14.

Start with 001002no barre and 4 open strings. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 14th.

Every common shape for EmMaj11
FretsWhereBassTopHand
001002open positionE, root positionF#4 open strings
xx22432nd fretE, root positionGall fretted
x222432nd fretB, 2nd inversionGbarred
x758755th fretE, root positionAall fretted
x778877th fretE, root positionBbarred
x779977th fretE, root positionBbarred
12-12-13-12-12-1412th fretE, root positionF#barred

The same notes rebuilt from scratch give 7 shell, 13 drop 2, 8 drop 3, 24 rootless and 6 open string voicings, each on its own page.

Tensions. A shell of EmMaj11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (C#).

How to use EmMaj11

How you get to it. The turn that lands on EmMaj11 is F#m7♭5 to B7♭9: the ii and the V of E minor, which is where a minor tonic is usually arrived at rather than simply begun on.

What to play over EmMaj11

Every note of EmMaj11 is in E harmonic minor and E melodic minor.

Chords near EmMaj11

Change one note of EmMaj11 and you have Emaj11 (the minor third becomes a major third), Em11 (the major seventh becomes a flat seventh) or EmMaj9 (drop the fourth).

EmMaj11 is a minor chord — root, minor third, fifth. Minor chords on every root.

On EmMaj11’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode