The standard grips this chord is usually shown with.
Edim7 is E, G, Bb and Db — Edim with a diminished seventh stacked on top.
It sounds suspenseful and rootless. Three stacked minor thirds divide the octave evenly, so the same four notes spell four dim7 chords and the shape repeats every three frets.

| E | G | Bb | Db |
|---|---|---|---|
| 1 | ♭3 | ♭5 | ♭♭7 |
Leading-tone or passing chord — it can resolve almost anywhere.
Also written E°7, Eo7 or E diminished 7. The same chord either way; which spelling you meet depends on who wrote the chart.
Edim7 in root position puts E in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.
6 of Edim7’s 8 common shapes do this: 012020, xx2323, x78686, 12-x-11-12-11-12, 12-13-14-12-14-12, x-x-14-15-14-15.
Start with 012020 — no barre and 3 open strings. 1 of the 8 shapes here sits in open position. 2 of the 8 need a barre. Together they cover the neck from the 1st fret to the 15th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 012020 | open position | E, root position | E | 3 open strings |
| xx2323 | 2nd fret | E, root position | G | all fretted |
| xx5656 | 5th fret | G, 1st inversion | Bb | all fretted |
| x78686 | 6th fret | E, root position | Bb | all fretted |
| xx8989 | 8th fret | Bb, 2nd inversion | Db | all fretted |
| 12-x-11-12-11-12 | 11th fret | E, root position | E | barred |
| 12-13-14-12-14-12 | 12th fret | E, root position | E | barred |
| x-x-14-15-14-15 | 14th fret | E, root position | G | all fretted |
The same notes rebuilt from scratch give 7 shell, 14 drop 2, 10 drop 3 and 1 open string voicings, each on its own page.
Tensions. A shell of Edim7, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (F#), the 11 (A), the b13 (C) and the maj7 (D#).
A diminished seventh divides the octave evenly, so Edim7 has no single root and no single destination: it can lead to A or to F, and it is the same four notes either way.
Every note of Edim7 is in E diminished and E half-whole diminished.
Change one note of Edim7 and you have Edim (drop the sixth), Em6 (the flat fifth becomes a fifth), Em7b5 (the sixth becomes a flat seventh), EmMaj7b5 (the sixth becomes a major seventh) or Em/C# (the flat fifth becomes a fifth).
Edim7 is a diminished chord — root, minor third, flat fifth. Diminished and half-diminished chords on every root.
On Edim7’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.