E7sus4 guitar chord

Open string · strings 5432 · Root position1 of 6

An open string left ringing against a fretted grip. Because it costs no finger, it sounds a note the closed shape has none left for -- a tension on top, or a pedal root underneath. Either a familiar grip with open strings added, or a shape so sparse the open strings carry the chord. These belong to their key rather than to a shape, so D, A, G and E have many and Eb a handful.

Inversion
  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About E7sus4open string voicings

E7sus4 is E, A, B and D E7 with the third replaced by the fourth.

It sounds leaning rather than shoving. It keeps the flat seventh’s pull and loses the tritone, so it moves without making a hard cadence.

E7sus4 open string guitar chord diagram: E, A, B, D, played x7770x
E7sus4 open string, x7770x — the shape above, as a picture.

E7sus4 notes and formula

Notes and interval formula
EABD
145♭7

Dominant — it points a fifth down, but softly.

Also written E7sus or E dominant 7 sus 4. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play E7sus4

Open-string voicing
×EADGBE

An open string left ringing against a fretted grip. It costs no finger, so it can sound a note the closed shape has none left for: a tension on top, or a pedal root underneath.

These belong to their key rather than to a shape: they cannot be moved up the neck. D, A, G and E have many; E♭ has a handful.

E7sus4 has 6 of them, on the middle four strings, strings 6-5-4-3-2, strings 6-5-4-3-2-1, strings 6-4-3-2-1 and strings 5-4-3-2-1, from the 2nd fret up to the 7thevery inversion the chord has: E in the bass and A in the bass. The one to learn first is the E shape at the 2nd fret, which is the easiest grip here.

Start with 020200no barre and 4 open strings. 1 of the 7 shapes here sits in open position. 3 of the 7 need a barre. Together they cover the neck from the 2nd fret to the 14th.

Every common shape for E7sus4
FretsWhereBassTopHand
020200open positionE, root positionE4 open strings
xx24352nd fretE, root positionAall fretted
x777555th fretE, root positionAbarred
x-7-9-7-10-77th fretE, root positionBbarred
x-x-x-9-10-109th fretE, root positionDall fretted
x-x-9-9-10-109th fretB, 2nd inversionDall fretted
12-14-12-14-12-1212th fretE, root positionEbarred

The same notes rebuilt from scratch give 7 shell, 15 drop 2 and 10 drop 3 voicings, each on its own page.

Tensions. A shell of E7sus4, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (F#) and the 13 (C#).

How to use E7sus4

Voice by voice, E7sus4A. One voice moves by a semitone, and 2 notes are common to both chords.

In E7sus4MovesIn A
E, the rootstays where it isE, the fifth
A, the fourthstays where it isA, the root
B, the fifthfalls a whole toneA, the root
D, the flat seventhfalls a semitoneC#, the major third

In which keys. Every note of E7sus4 belongs to C major (the iii), D major (the ii), E minor (the i), F# minor (the ♭VII), G major (the vi), A major (the V), A minor (the v) and B minor (the iv).

What to play over E7sus4

Every note of E7sus4 is in E minor pentatonic, E blues, E mixolydian, E dorian and E natural minor.

Chords near E7sus4

Change one note of E7sus4 and you have Esus4 (drop the flat seventh), Esus2sus4 (the flat seventh becomes a ninth), Em7 (the fourth becomes a minor third), E7 (the fourth becomes a major third), E11 (add the ninth) or E/D (the fourth becomes a major third).

E7sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.

On E7sus4’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode