E69 guitar chord

2nd inversion · B in the bass

The standard grips this chord is usually shown with.

  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About E692nd inversion

E69 is E, G#, B, C# and F# E6 with the ninth added as well.

It sounds wide and entirely at rest. The modern way to voice a tonic when a triad is too bare and a maj7 too pointed.

E69 2nd inversion guitar chord diagram: E, G#, B, C#, F#, played x22122
E69 2nd inversion, x22122 — the shape above, as a picture.

E69 notes and formula

Notes and interval formula
EG#BC#F#
13569

Tonic — it commits to nothing.

Also written E6/9, E6add9 or E six nine. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play E69

E69 in 2nd inversion puts B in the bass instead of E, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of E69’s 10 common shapes does this: x22122.

Start with x74654no barre and low, at the 4th fret. 1 of the 10 shapes here sits in open position. 9 of the 10 need a barre. Together they cover the neck from the 1st fret to the 14th.

Every common shape for E69
FretsWhereBassTopHand
022122open positionE, root positionF#barred
xx21221st fretE, root positionF#barred
x221221st fretB, 2nd inversionF#barred
x444544th fretC#, 6th in the bassG#barred
x746544th fretE, root positionG#all fretted
x766776th fretE, root positionBbarred
x999999th fretF#, 9th in the bassC#barred
0-11-11-11-12-1211th fretE, root positionEbarred
12-11-11-11-12-1211th fretE, root positionEbarred
x-x-14-13-14-1413th fretE, root positionF#barred

The same notes rebuilt from scratch give 4 shell, 13 drop 2, 9 drop 3, 13 rootless and 4 open string voicings, each on its own page.

Tensions. A shell of E69, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (A#).

How to use E69

How you get to it. The turn that lands on E69 is F#m7 to B7 — the ii and the V of E — and B7 shares its third and seventh with F#m7, so the hand barely moves between them.

In which keys. Every note of E69 belongs to C# minor (the ♭III), E major (the I), F# minor (the ♭VII), Ab minor (the ♭VI), A major (the V) and B major (the IV).

What to play over E69

E69 is every note of the E major pentatonic, and nothing else. It also sits inside E major, E lydian, E mixolydian and E lydian dominant.

Chords near E69

Change one note of E69 and you have Emaj9 (the sixth becomes a major seventh), Emaj13 (add the major seventh), Em69 (the major third becomes a minor third), Eadd9 (drop the sixth), E6 (drop the ninth) or E9 (the sixth becomes a flat seventh).

E69 is a major chord — root, major third, fifth. Major chords on every root.

On E69’s sound and use this page follows Mark Levine, The Jazz Piano Book (Sher Music, 1989). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode