Daug guitar chord

1st inversion · F# in the bass

The standard grips this chord is usually shown with.

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About Daug1st inversion

Daug is D, F# and A# D with the fifth raised a semitone.

It sounds stretched, and suspended between keys. Its commonest job is passing between a major triad and its sixth or seventh, with the raised fifth as a single voice walking up.

Daug 1st inversion guitar chord diagram: D, F#, A#, played xx4332
Daug 1st inversion, xx4332 — the shape above, as a picture.

Daug notes and formula

Notes and interval formula
DF#A#
13♯5

Passing chord — it belongs to no key in particular.

Also written D+, D(#5) or D augmented. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Daug

Daug in 1st inversion puts F# in the bass instead of D, the 3rd of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of Daug’s 9 common shapes does this: xx4332.

Start with xx03321 open string and only 3 fretted notes. 1 of the 9 shapes here sits in open position. None of them needs a barre. Together they cover the neck from the 2nd fret to the 12th.

Every common shape for Daug
FretsWhereBassTopHand
xx0332open positionD, root positionF#1 open string
xx43322nd fretF#, 1st inversionF#all fretted
x5433x3rd fretD, root positionDall fretted
x5x7765th fretD, root positionA#all fretted
x5877x5th fretD, root positionF#all fretted
xxx7766th fretD, root positionA#all fretted
10-9-8-7-7-x7th fretD, root positionF#all fretted
10-x-12-11-11-1010th fretD, root positionDall fretted
x-x-12-11-11-1010th fretD, root positionDall fretted

The same notes rebuilt from scratch give 45 triad voicings, each on its own page.

What to play over Daug

Every note of Daug is in D whole tone and D altered.

Chords near Daug

Change one note of Daug and you have D (the sharp fifth becomes a fifth), Dmaj7#5 (add the major seventh), Daug7 (add the flat seventh), D/F# (the sharp fifth becomes a fifth), D/A (the sharp fifth becomes a fifth) or D/Bb (add the fifth).

Daug is a augmented chord — root, major third, sharp fifth. Augmented chords on every root.

On Daug’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode