D13 guitar chord
The standard grips this chord is usually shown with.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About D13 — 2nd inversion
D13 is D, F#, A, C, E and B — D9 with the thirteenth added on top.
It sounds big and open. Six notes will not fit under four fingers: the fifth goes first, then the ninth, and the third, flat seventh and thirteenth stay.
D13 notes and formula
| D | F# | A | C | E | B |
|---|---|---|---|---|---|
| 1 | 3 | 5 | ♭7 | 9 | 13 |
Dominant — the full V chord.
Also written Ddom13 or D dominant 13. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play D13
D13 in 2nd inversion puts A in the bass instead of D, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.
One of D13’s 9 common shapes does this: 555577.
Start with xx0412 — no barre and 1 open string. 1 of the 9 shapes here sits in open position. 6 of the 9 need a barre. Together they cover the neck from the 1st fret to the 12th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| xx0412 | open position | D, root position | F# | 1 open string |
| x54577 | 4th fret | D, root position | B | all fretted |
| x54557 | 4th fret | D, root position | B | barred |
| 555577 | 5th fret | A, 2nd inversion | B | barred |
| 10-7-9-7-7-8 | 7th fret | D, root position | C | barred |
| 10-9-0-9-0-8 | 8th fret | D, root position | C | 2 open strings |
| 10-9-9-9-10-8 | 8th fret | D, root position | C | barred |
| 10-10-10-11-12-12 | 10th fret | D, root position | E | barred |
| 10-12-10-11-12-10 | 10th fret | D, root position | D | barred |
The same notes rebuilt from scratch give 3 shell, 12 drop 2, 8 drop 3, 24 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of D13, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (G#).
How to use D13
D13 is the V of G, and that is where it goes if it goes anywhere: the third and the flat seventh are a tritone apart, and both resolve by a semitone into G.
Voice by voice, D13 → G. 2 voices move by a semitone, and 2 notes are common to both chords.
| In D13 | Moves | In G |
|---|---|---|
| D, the root | stays where it is | D, the fifth |
| F#, the major third | rises a semitone | G, the root |
| A, the fifth | falls a whole tone | G, the root |
| C, the flat seventh | falls a semitone | B, the major third |
| E, the ninth | falls a whole tone | D, the fifth |
| B, the thirteenth | stays where it is | B, the major third |
In which keys. Every note of D13 belongs to E minor (the ♭VII) and G major (the V, the dominant).
What to play over D13
Every note of D13 is in D mixolydian and D lydian dominant.
Chords near D13
Change one note of D13 and you have Dmaj13 (the flat seventh becomes a major seventh), D69 (drop the flat seventh), D9 (drop the sixth) or D9#11 (the sixth becomes a flat fifth).
D13 is a dominant chord — root, major third, fifth, minor seventh. Dominant seventh chords on every root.
On D13’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.