C Major guitar chord

Triad · strings 432 · 1st inversion1 of 48

Three notes across one string set.

Inversion
  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About Ctriad voicings

C is C, E and G.

It sounds plain and completely at rest. The reference every other chord on this page is a modification of.

C triad guitar chord diagram: C, E, G, played xx201x
C triad, xx201x — the shape above, as a picture.

C notes and formula

Notes and interval formula
CEG
135

Tonic — the chord a progression stops on.

Also written Cmaj, CM or C major. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play C

Triad
R35

Three notes on one string set. No seventh, so nothing is claimed about the chord beyond its quality.

Thin on their own, excellent over a bass line or against someone else’s harmony.

C has 48 of them, on the high-middle three, the top three strings, the middle four strings, the top four strings, the low-middle three, the bottom three strings, the bottom four strings, strings 5-3-2-1 and strings 6-4-3-2, from open position up to the 14thevery inversion the chord has: C in the bass, E in the bass and G in the bass. The one to learn first is the E shape at the nut, which is the easiest grip here.

6 of them sit on the middle four strings, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.

Start with x32010no barre and 2 open strings. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 1st fret to the 15th.

Every common shape for C
FretsWhereBassTopHand
x32010open positionC, root positionE2 open strings
x355533rd fretC, root positionGbarred
8755585th fretC, root positionCbarred
xx55585th fretG, 2nd inversionCbarred
8-10-10-9-8-88th fretC, root positionCbarred
x-x-10-12-13-1210th fretC, root positionEall fretted
x-15-14-12-13-1212th fretC, root positionEall fretted

The same notes rebuilt from scratch give 3 open string voicings, each on its own page.

How to use C

How you get to it. The turn that lands on C is Dm7 to G7 — the ii and the V of C — and G7 shares its third and seventh with Dm7, so the hand barely moves between them.

In which keys. Every note of C belongs to C major (the I), D minor (the ♭VII), E minor (the ♭VI), F major (the V), G major (the IV) and A minor (the ♭III).

What to play over C

Every note of C is in C major pentatonic, C major, C lydian, C mixolydian and C lydian dominant.

Chords near C

Change one note of C and you have Cm (the major third becomes a minor third), Csus2 (the major third becomes a ninth), Csus4 (the major third becomes a fourth), Cmaj7 (add the major seventh), Cadd9 (add the ninth) or C5 (drop the major third).

C is a major chord — root, major third, fifth. Major chords on every root.

On C’s sound and use this page follows Edward Aldwell & Carl Schachter, Harmony and Voice Leading (Schirmer / Cengage, 4th ed., 2011). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode