Baug guitar chord

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The standard grips this chord is usually shown with.

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About Baugroot position

Baug is B, D# and G B with the fifth raised a semitone.

It sounds stretched, and suspended between keys. Its commonest job is passing between a major triad and its sixth or seventh, with the raised fifth as a single voice walking up.

Baug root position guitar chord diagram: B, D#, G, played x2100x
Baug root position, x2100x — the shape above, as a picture.

Baug notes and formula

Notes and interval formula
BD#G
13♯5

Passing chord — it belongs to no key in particular.

Also written B+, B(#5) or B augmented. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Baug

Baug in root position puts B in the bass, which is the chord as it is spelled: the note it is named after underneath everything else.

8 of Baug’s 9 common shapes do this: x2100x, x2x443, xxx443, x2544x, 76544x, 7x9887, xx9887, x-14-13-12-12-x.

Start with x2100x2 open strings and only 2 fretted notes. 1 of the 9 shapes here sits in open position. None of them needs a barre. Together they cover the neck from the 1st fret to the 14th.

Every common shape for Baug
FretsWhereBassTopHand
x2100xopen positionB, root positionB2 open strings
x2x4432nd fretB, root positionGall fretted
xxx4433rd fretB, root positionGall fretted
x2544x2nd fretB, root positionD#all fretted
76544x4th fretB, root positionD#all fretted
7x98877th fretB, root positionBall fretted
xx98877th fretB, root positionBall fretted
x-x-13-12-12-1111th fretD#, 1st inversionD#all fretted
x-14-13-12-12-x12th fretB, root positionBall fretted

The same notes rebuilt from scratch give 46 triad and 1 open string voicings, each on its own page.

What to play over Baug

Every note of Baug is in B whole tone and B altered.

Chords near Baug

Change one note of Baug and you have B (the sharp fifth becomes a fifth), Bmaj7#5 (add the major seventh) or Baug7 (add the flat seventh).

Baug is a augmented chord — root, major third, sharp fifth. Augmented chords on every root.

On Baug’s sound and use this page follows Stefan Kostka, Dorothy Payne & Byron Almén, Tonal Harmony (McGraw-Hill, 8th ed., 2018). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode