Ab7 guitar chord

2nd inversion · Eb in the bass

The standard grips this chord is usually shown with.

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About Ab72nd inversion

Ab7 is Ab, C, Eb and Gb Ab with the flat seventh added on top.

It sounds restless and pointed at something. The third and the flat seventh are a tritone apart and each moves by a semitone into the next chord; that is the engine of a cadence, and the whole vocabulary of the blues.

Ab7 2nd inversion guitar chord diagram: Ab, C, Eb, Gb, played xx1112
Ab7 2nd inversion, xx1112 — the shape above, as a picture.

Ab7 notes and formula

Notes and interval formula
AbCEbGb
135♭7

Dominant — it points a fifth down.

Also written Abdom7 or Ab dominant 7. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play Ab7

Ab7 in 2nd inversion puts Eb in the bass instead of Ab, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of Ab7’s 6 common shapes does this: xx1112.

Start with xx6878no barre. None of the shapes for Ab7 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 4 of the 6 need a barre. Together they cover the neck from the 1st fret to the 13th.

Every common shape for Ab7
FretsWhereBassTopHand
xx11121st fretEb, 2nd inversionGbbarred
4311121st fretAb, root positionGbbarred
4645444th fretAb, root positionAbbarred
xx68786th fretAb, root positionCall fretted
x-11-10-11-9-x9th fretAb, root positionAball fretted
x-11-13-11-13-1111th fretAb, root positionEbbarred

The same notes rebuilt from scratch give 4 shell, 14 drop 2, 9 drop 3 and 5 open string voicings, each on its own page.

Tensions. A shell of Ab7, root, third and seventh, leaves a string free, and the tones that belong over it are the b9 (Bbb), the 9 (Bb), the #9 (B), the #11 (D), the b13 (Fb) and the 13 (F).

How to use Ab7

Ab7 is the V of Db, and that is where it goes if it goes anywhere: the third and the flat seventh are a tritone apart, and both resolve by a semitone into Db.

In which keys. Every note of Ab7 belongs to C# major (the V, the dominant) and Bb minor (the ♭VII).

What to play over Ab7

Every note of Ab7 is in Ab mixolydian, Ab lydian dominant and Ab half-whole diminished.

Chords near Ab7

Change one note of Ab7 and you have Ab (drop the flat seventh), Abmaj7 (the flat seventh becomes a major seventh), Abm7 (the major third becomes a minor third), Abadd9 (the flat seventh becomes a ninth), Ab6 (the flat seventh becomes a sixth) or Ab7sus4 (the major third becomes a fourth).

Ab7 is a dominant chord — root, major third, fifth, minor seventh. Dominant seventh chords on every root.

On Ab7’s sound and use this page follows Edward Aldwell & Carl Schachter, Harmony and Voice Leading (Schirmer / Cengage, 4th ed., 2011). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode