The standard grips this chord is usually shown with.
Ab13 is Ab, C, Eb, Gb, Bb and F — Ab9 with the thirteenth added on top.
It sounds big and open. Six notes will not fit under four fingers: the fifth goes first, then the ninth, and the third, flat seventh and thirteenth stay.

| Ab | C | Eb | Gb | Bb | F |
|---|---|---|---|---|---|
| 1 | 3 | 5 | ♭7 | 9 | 13 |
Dominant — the full V chord.
Also written Abdom13 or Ab dominant 13. The same chord either way; which spelling you meet depends on who wrote the chart.
Ab13 in 2nd inversion puts Eb in the bass instead of Ab, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.
One of Ab13’s 7 common shapes does this: 11-11-11-11-13-13.
Start with x-11-10-11-13-13 — no barre. None of the shapes for Ab13 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 6 of the 7 need a barre. Together they cover the neck from the 1st fret to the 13th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 413112 | 1st fret | Ab, root position | Gb | barred |
| 433342 | 2nd fret | Ab, root position | Gb | barred |
| 444566 | 4th fret | Ab, root position | Bb | barred |
| 464564 | 4th fret | Ab, root position | Ab | barred |
| x-11-10-11-13-13 | 10th fret | Ab, root position | F | all fretted |
| x-11-10-11-11-13 | 10th fret | Ab, root position | F | barred |
| 11-11-11-11-13-13 | 11th fret | Eb, 2nd inversion | F | barred |
The same notes rebuilt from scratch give 2 shell, 14 drop 2, 9 drop 3 and 22 rootless voicings, each on its own page.
Tensions. A shell of Ab13, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (D).
Ab13 is the V of Db, and that is where it goes if it goes anywhere: the third and the flat seventh are a tritone apart, and both resolve by a semitone into Db.
In which keys. Every note of Ab13 belongs to C# major (the V, the dominant) and Bb minor (the ♭VII).
Every note of Ab13 is in Ab mixolydian and Ab lydian dominant.
Change one note of Ab13 and you have Abmaj13 (the flat seventh becomes a major seventh), Ab69 (drop the flat seventh), Ab9 (drop the sixth) or Ab9#11 (the sixth becomes a flat fifth).
Ab13 is a dominant chord — root, major third, fifth, minor seventh. Dominant seventh chords on every root.
On Ab13’s sound and use this page follows Ted Pease & Ken Pullig, Modern Jazz Voicings (Berklee Press, 2001). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.
Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.