G Major guitar chord

Triad · strings 654 · Root position1 of 47

Three notes across one string set.

Inversion
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  • Fingers, notes or intervals
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About Gtriad voicings

G is G, B and D.

It sounds plain and completely at rest. The reference every other chord on this page is a modification of.

G triad guitar chord diagram: G, B, D, played 320xxx
G triad, 320xxx — the shape above, as a picture.

G notes and formula

Notes and interval formula
GBD
135

Tonic — the chord a progression stops on.

Also written Gmaj, GM or G major. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play G

Triad
R35

Three notes on one string set. No seventh, so nothing is claimed about the chord beyond its quality.

Thin on their own, excellent over a bass line or against someone else’s harmony.

G has 47 of them, on the bottom three strings, the low-middle three, the bottom four strings, the middle four strings, the high-middle three, the top three strings, the top four strings, strings 5-3-2-1 and strings 6-4-3-2, from the 2nd fret up to the 99thevery inversion the chord has: G in the bass, B in the bass and D in the bass. The one to learn first is the G shape at the 2nd fret, which is the easiest grip here.

6 of them sit on the bottom four strings, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.

Start with 320003no barre and 3 open strings. 1 of the 7 shapes here sits in open position. 4 of the 7 need a barre. Together they cover the neck from the 2nd fret to the 15th.

Every common shape for G
FretsWhereBassTopHand
320003open positionG, root positionG3 open strings
3554333rd fretG, root positionGbarred
xx57875th fretG, root positionBall fretted
x-10-9-7-8-77th fretG, root positionBall fretted
x-10-12-12-12-1010th fretG, root positionDbarred
15-14-12-12-12-1512th fretG, root positionGbarred
x-x-12-12-12-1512th fretD, 2nd inversionGbarred

The same notes rebuilt from scratch give 6 open string voicings, each on its own page.

How to use G

How you get to it. The turn that lands on G is Am7 to D7 — the ii and the V of G — and D7 shares its third and seventh with Am7, so the hand barely moves between them.

In which keys. Every note of G belongs to C major (the V), D major (the IV), E minor (the ♭III), G major (the I), A minor (the ♭VII) and B minor (the ♭VI).

What to play over G

Every note of G is in G major pentatonic, G major, G lydian, G mixolydian and G lydian dominant.

Chords near G

Change one note of G and you have Gm (the major third becomes a minor third), Gsus2 (the major third becomes a ninth), Gsus4 (the major third becomes a fourth), Gmaj7 (add the major seventh), Gadd9 (add the ninth) or G5 (drop the major third).

G is a major chord — root, major third, fifth. Major chords on every root.

On G’s sound and use this page follows Edward Aldwell & Carl Schachter, Harmony and Voice Leading (Schirmer / Cengage, 4th ed., 2011). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode