Gmaj11 guitar chord
The root left to the bass player. Frees a finger for a tension.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About Gmaj11 — rootless voicings
Gmaj11 is G, B, D, F#, A and C — Gmaj9 with the eleventh added — the note that fights the major third.
It sounds unsettled, and grittier than the rest of the major family. Most players drop the third or raise the eleventh instead, which is how you arrive at a sus chord or at maj7♯11.
Gmaj11 notes and formula
| G | B | D | F# | A | C |
|---|---|---|---|---|---|
| 1 | 3 | 5 | 7 | 9 | 11 |
Tonic, awkwardly — the eleventh sits a semitone above the third.
Also written GM11, GΔ11 or G major 11. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Gmaj11
Leave the root to the bass player. In a band nobody misses it, and the ear supplies it from the guide tones anyway.
The finger it frees goes to a tension, which is why these sound richer than the shape they came from rather than thinner.
Gmaj11 has 24 of them, on the middle four strings, the top four strings and strings 5-3-2-1, from open position up to the 11th — every inversion the chord has: B in the bass, D in the bass, F# in the bass, A in the bass and C in the bass. The one to learn first is the C shape at the 3rd fret, which is the easiest grip here.
8 of them sit on the middle four strings, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with 32xx12 — no barre and down at the nut. None of the shapes for Gmaj11 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 3 of the 7 need a barre. Together they cover the neck from the 1st fret to the 12th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 32xx12 | 1st fret | G, root position | F# | all fretted |
| 334433 | 3rd fret | G, root position | G | barred |
| 334435 | 3rd fret | G, root position | A | barred |
| xx5577 | 5th fret | G, root position | B | all fretted |
| xx9078 | 7th fret | B, 1st inversion | C | 1 open string |
| x-10-9-11-8-8 | 8th fret | G, root position | C | all fretted |
| x-10-10-11-12-10 | 10th fret | G, root position | D | barred |
The same notes rebuilt from scratch give 5 shell, 12 drop 2, 9 drop 3 and 6 open string voicings, each on its own page.
Tensions. A shell of Gmaj11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (E).
How to use Gmaj11
How you get to it. The turn that lands on Gmaj11 is Am7 to D7 — the ii and the V of G — and D7 shares its third and seventh with Am7, so the hand barely moves between them.
In which keys. Every note of Gmaj11 belongs to E minor (the ♭III) and G major (the I, the tonic).
What to play over Gmaj11
Every note of Gmaj11 is in G major.
Chords near Gmaj11
Change one note of Gmaj11 and you have Gmaj9 (drop the fourth), Gmaj13 (the fourth becomes a sixth) or GmMaj11 (the major third becomes a minor third).
Gmaj11 is a major chord — root, major third, fifth. Major chords on every root.
On Gmaj11’s sound and use this page follows Barrie Nettles & Richard Graf, The Chord Scale Theory and Jazz Harmony (Advance Music, 1997). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.