G7sus4 guitar chord

2nd inversion · D in the bass

The standard grips this chord is usually shown with.

  • Tap a note to hear it
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  • Fingers, notes or intervals
  • Play the chord
About G7sus42nd inversion

G7sus4 is G, C, D and F G7 with the third replaced by the fourth.

It sounds leaning rather than shoving. It keeps the flat seventh’s pull and loses the tritone, so it moves without making a hard cadence.

G7sus4 2nd inversion guitar chord diagram: G, C, D, F, played x-x-12-12-13-13
G7sus4 2nd inversion, x-x-12-12-13-13 — the shape above, as a picture.

G7sus4 notes and formula

Notes and interval formula
GCDF
145♭7

Dominant — it points a fifth down, but softly.

Also written G7sus or G dominant 7 sus 4. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play G7sus4

G7sus4 in 2nd inversion puts D in the bass instead of G, the 5th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of G7sus4’s 7 common shapes does this: x-x-12-12-13-13.

Start with 330011no barre and 2 open strings. 1 of the 7 shapes here sits in open position. 3 of the 7 need a barre. Together they cover the neck from the 1st fret to the 13th.

Every common shape for G7sus4
FretsWhereBassTopHand
330011open positionG, root positionF2 open strings
3535333rd fretG, root positionGbarred
xx57685th fretG, root positionCall fretted
x-10-10-10-8-88th fretG, root positionCbarred
x-10-12-10-13-1010th fretG, root positionDbarred
x-x-x-12-13-1312th fretG, root positionFall fretted
x-x-12-12-13-1312th fretD, 2nd inversionFall fretted

The same notes rebuilt from scratch give 7 shell, 15 drop 2, 10 drop 3 and 3 open string voicings, each on its own page.

Tensions. A shell of G7sus4, root, third and seventh, leaves a string free, and the tones that belong over it are the 9 (A) and the 13 (E).

How to use G7sus4

Voice by voice, G7sus4C. One voice moves by a semitone, and 2 notes are common to both chords.

In G7sus4MovesIn C
G, the rootstays where it isG, the fifth
C, the fourthstays where it isC, the root
D, the fifthfalls a whole toneC, the root
F, the flat seventhfalls a semitoneE, the major third

In which keys. Every note of G7sus4 belongs to C major (the V), C minor (the v), D minor (the iv), Eb major (the iii), F major (the ii), G minor (the i), A minor (the ♭VII) and Bb major (the vi).

What to play over G7sus4

Every note of G7sus4 is in G minor pentatonic, G blues, G mixolydian, G dorian and G natural minor.

Chords near G7sus4

Change one note of G7sus4 and you have Gsus4 (drop the flat seventh), Gsus2sus4 (the flat seventh becomes a ninth), Gm7 (the fourth becomes a minor third), G7 (the fourth becomes a major third), G11 (add the ninth) or G/F (the fourth becomes a major third).

G7sus4 is a suspended chord — root and fifth, with a second or fourth where the third would be — or nothing at all. Suspended and power chords on every root.

On G7sus4’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode