G69 guitar chord

6th in bass · E in the bass

The standard grips this chord is usually shown with.

  • Tap a note to hear it
  • Arrows change position
  • Fingers, notes or intervals
  • Play the chord
About G696th in bass

G69 is G, B, D, E and A G6 with the ninth added as well.

It sounds wide and entirely at rest. The modern way to voice a tonic when a triad is too bare and a maj7 too pointed.

G69 6th in bass guitar chord diagram: G, B, D, E, A, played x77787
G69 6th in bass, x77787 — the shape above, as a picture.

G69 notes and formula

Notes and interval formula
GBDEA
13569

Tonic — it commits to nothing.

Also written G6/9, G6add9 or G six nine. The same chord either way; which spelling you meet depends on who wrote the chart.

How to play G69

G69 in 6th in bass puts E in the bass instead of G, the 6th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.

One of G69’s 9 common shapes does this: x77787.

Start with 300000no barre and 5 open strings. 1 of the 9 shapes here sits in open position. 7 of the 9 need a barre. Together they cover the neck from the 2nd fret to the 15th.

Every common shape for G69
FretsWhereBassTopHand
300000open positionG, root positionE5 open strings
3222332nd fretG, root positionGbarred
xx54554th fretG, root positionAbarred
x554554th fretD, 2nd inversionAbarred
x777877th fretE, 6th in the bassBbarred
x-10-7-9-8-77th fretG, root positionBall fretted
x-10-9-9-10-109th fretG, root positionDbarred
x-12-12-12-12-1212th fretA, 9th in the bassEbarred
15-14-14-14-15-1514th fretG, root positionGbarred

The same notes rebuilt from scratch give 4 shell, 15 drop 2, 10 drop 3, 15 rootless and 6 open string voicings, each on its own page.

Tensions. A shell of G69, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (C#).

How to use G69

How you get to it. The turn that lands on G69 is Am7 to D7 — the ii and the V of G — and D7 shares its third and seventh with Am7, so the hand barely moves between them.

In which keys. Every note of G69 belongs to C major (the V), D major (the IV), E minor (the ♭III), G major (the I), A minor (the ♭VII) and B minor (the ♭VI).

What to play over G69

G69 is every note of the G major pentatonic, and nothing else. It also sits inside G major, G lydian, G mixolydian and G lydian dominant.

Chords near G69

Change one note of G69 and you have Gmaj9 (the sixth becomes a major seventh), Gmaj13 (add the major seventh), Gm69 (the major third becomes a minor third), Gadd9 (drop the sixth), G6 (drop the ninth) or G9 (the sixth becomes a flat seventh).

G69 is a major chord — root, major third, fifth. Major chords on every root.

On G69’s sound and use this page follows Mark Levine, The Jazz Piano Book (Sher Music, 1989). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode