Fmaj9 guitar chord
The standard grips this chord is usually shown with.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About Fmaj9 — 9th in bass
Fmaj9 is F, A, C, E and G — Fmaj7 with the ninth stacked above it.
It sounds a maj7 with more air in it. The ninth argues with nothing here, so it works anywhere a maj7 does.
Fmaj9 notes and formula
| F | A | C | E | G |
|---|---|---|---|---|
| 1 | 3 | 5 | 7 | 9 |
Tonic — an extended resting chord.
Also written FM9, FΔ9, Fma9 or F major 9. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Fmaj9
Fmaj9 in 9th in bass puts G in the bass instead of F, the 9th of the chord. The notes are the same; what changes is what the bass line does, which is most of why you would reach for it — it lets the lowest voice move by step where the root would have jumped.
One of Fmaj9’s 13 common shapes does this: x-10-10-10-10-12.
Start with 102010 — no barre and 3 open strings. 1 of the 13 shapes here sits in open position. 6 of the 13 need a barre. Together they cover the neck from the 1st fret to the 15th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 102010 | open position | F, root position | E | 3 open strings |
| 132213 | 1st fret | F, root position | G | all fretted |
| xx2213 | 1st fret | E, 3rd inversion | G | all fretted |
| xx3253 | 2nd fret | F, root position | G | all fretted |
| 533553 | 3rd fret | A, 1st inversion | G | barred |
| x85555 | 5th fret | F, root position | A | barred |
| x8798x | 7th fret | F, root position | G | all fretted |
| 88798x | 7th fret | C, 2nd inversion | G | barred |
| x-10-10-10-10-12 | 10th fret | G, 9th in the bass | E | barred |
| x-x-10-12-10-12 | 10th fret | C, 2nd inversion | E | all fretted |
| 13-10-10-10-10-12 | 10th fret | F, root position | E | barred |
| 13-12-14-12-13-12 | 12th fret | F, root position | E | barred |
| 13-x-14-14-13-15 | 13th fret | F, root position | G | all fretted |
The same notes rebuilt from scratch give 4 shell, 13 drop 2, 8 drop 3, 15 rootless and 6 open string voicings, each on its own page.
Tensions. A shell of Fmaj9, root, third and seventh, leaves a string free, and the tones that belong over it are the #11 (B) and the 13 (D).
How to use Fmaj9
How you get to it. The turn that lands on Fmaj9 is Gm7 to C7 — the ii and the V of F — and C7 shares its third and seventh with Gm7, so the hand barely moves between them.
In which keys. Every note of Fmaj9 belongs to C major (the IV, the subdominant), D minor (the ♭III), F major (the I, the tonic) and A minor (the ♭VI).
What to play over Fmaj9
Every note of Fmaj9 is in F major and F lydian.
Chords near Fmaj9
Change one note of Fmaj9 and you have Fmaj7 (drop the ninth), Fmaj11 (add the fourth), Fmaj13 (add the sixth), FmMaj9 (the major third becomes a minor third), Fadd9 (drop the major seventh) or F69 (the major seventh becomes a sixth).
Fmaj9 is a major chord — root, major third, fifth. Major chords on every root.
On Fmaj9’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.