Fm11 guitar chord
The third voice from the top lowered an octave. The dropped voice becomes the bass, which is why a string is skipped.
- Tap a note to hear it
- Arrows change position
- Fingers, notes or intervals
- Play the chord
About Fm11 — drop 3 voicings
Fm11 is F, Ab, C, Eb, G and Bb — Fm9 with the eleventh added on top.
It sounds spacious and slightly unresolved. The eleventh is a whole step above the minor third, so unlike its major counterpart it fits without a fight.
Fm11 notes and formula
| F | Ab | C | Eb | G | Bb |
|---|---|---|---|---|---|
| 1 | ♭3 | 5 | ♭7 | 9 | 11 |
Pre-dominant or minor tonic — it hangs rather than moves.
Also written Fmin11, F-11 or F minor 11. The same chord either way; which spelling you meet depends on who wrote the chart.
How to play Fm11
The same operation one voice further down: the third voice from the top falls an octave and becomes the bass.
That leaves a bigger hole under the top three notes, so a string gets skipped: the muted string in the middle is the shape, not a mistake.
Fm11 has 8 of them, on strings 5-3-2-1 and strings 6-4-3-2, from open position up to the 11th — every inversion the chord has: F in the bass, Ab in the bass, Eb in the bass and Bb in the bass. The one to learn first is the Bb shape at the nut.
4 of them sit on strings 5-3-2-1, so you can run the inversions up one set without changing strings — which is the whole reason to learn them as a family rather than as separate grips.
Start with xx3344 — no barre and low, at the 3rd fret. None of the shapes for Fm11 uses an open string, so every one of them is movable; the lowest sits at the 1st fret. 7 of the 8 need a barre. Together they cover the neck from the 1st fret to the 15th.
| Frets | Where | Bass | Top | Hand |
|---|---|---|---|---|
| 111113 | 1st fret | F, root position | G | barred |
| xx3344 | 3rd fret | F, root position | Ab | all fretted |
| x86866 | 6th fret | F, root position | Bb | barred |
| x86886 | 6th fret | F, root position | Bb | barred |
| x88898 | 8th fret | F, root position | C | barred |
| 13-11-13-12-11-11 | 11th fret | F, root position | Eb | barred |
| 13-x-13-13-11-x | 11th fret | F, root position | Bb | barred |
| 13-13-13-13-13-15 | 13th fret | F, root position | G | barred |
The same notes rebuilt from scratch give 7 shell, 13 drop 2 and 24 rootless voicings, each on its own page.
Tensions. A shell of Fm11, root, third and seventh, leaves a string free, and the tones that belong over it are the 13 (D).
How to use Fm11
How you get to it. The turn that lands on Fm11 is Gm7♭5 to C7♭9: the ii and the V of F minor, which is where a minor tonic is usually arrived at rather than simply begun on.
In which keys. Every note of Fm11 belongs to C minor (the iv, the subdominant), Eb major (the ii, the supertonic), F minor (the i, the tonic) and Ab major (the vi, the submediant).
What to play over Fm11
Every note of Fm11 is in F dorian and F natural minor.
Chords near Fm11
Change one note of Fm11 and you have Fm9 (drop the fourth), FmMaj11 (the flat seventh becomes a major seventh) or F11 (drop the minor third).
Fm11 is a minor chord — root, minor third, fifth. Minor chords on every root.
On Fm11’s sound and use this page follows Mark Levine, The Jazz Theory Book (Sher Music, 1995). The shapes and the derived voicings come from different places, and both are explained in where the chords and the theory come from.