Major triad shapes

It sounds plain and completely at rest. The reference every other chord on this page is a modification of.

16 moveable shapes. None has an open string in it, so each one plays every root there is; the dots are degrees, and R is the root.

One shape, twelve chords

Pick a root and every diagram below moves to it. Nothing about any of the shapes changes — only the fret they start on, and each one starts somewhere different because they are rooted on different strings.

Showing C. Every voicing of it, open strings included, is on its own chord page.

Root on the low E string

The lowest root available, so these are the fullest-sounding shapes and the ones that carry a band. F at the first fret, G at the third, A at the fifth: the shape is the same and the fret is the whole of the difference.

8frR5R35R

8-10-10-9-8-8

6 notes · 3 frets

Root on the A string

The other half of the pair. Pair them with the low E shapes and the hand barely moves: the root a fourth up sits at the same fret on the A string, and the root a fifth up two frets higher.

3frR5R35

x35553

5 notes · 3 frets

Root on the D string

No bass note under it, which is the point rather than a shortcoming: these sit above a bass player instead of competing with one, and they reach the extensions the lower shapes have no fingers left for.

10frR5R3

x-x-10-12-13-12

4 notes · 4 frets

Inversions

The same chord with something other than the root underneath. You reach for one of these because of what the bass is doing, not because of what the chord is — a bass line that walks while the harmony stays put is made of these.

1st inversion

3 in the bass. 7 ways to get it.

3 on the low E string, root on the D string

10fr35R5

12-10-10-12-x-x

4 notes · 3 frets

3 on the low E string, root on the D string

10fr3R5R

12-x-10-12-13-x

4 notes · 4 frets

3 on the low E string, root on the D string

9fr35R3

12-10-10-9-x-x

4 notes · 4 frets

3 on the A string, root on the G string

5fr35R3

x7555x

4 notes · 3 frets

3 on the A string, root on the G string

5fr35R5

x7558x

4 notes · 4 frets

3 on the A string, root on the G string

5fr3R5R

x7x588

4 notes · 4 frets

3 on the D string, root on the B string

12fr35R5

x-x-14-12-13-15

4 notes · 4 frets

2nd inversion

5 in the bass. 6 ways to get it.

5 on the low E string, root on the B string

12fr535R

15-x-14-12-13-x

4 notes · 4 frets

5 on the low E string, root on the A string

2fr5R3

332xxx

3 notes · 2 frets

5 on the A string, root on the high E string

8fr535R

x-10-x-9-8-8

4 notes · 3 frets

5 on the A string, root on the D string

9fr5R3

x-10-10-9-x-x

3 notes · 2 frets

5 on the D string, root on the G string

5fr5R3R

xx5558

4 notes · 4 frets

5 on the G string, root on the B string

12fr5R3

x-x-x-12-13-12

3 notes · 2 frets

The other major shapes

Every voicing of one particular major chord — including the open-string ones that do not move — is on that chord's own page, linked under each shape above. All the moveable shapes for every quality are on the shapes index, and the major chords as a family are on their own page.

Midi Settings

7.5
Play Style
One pass of the pick from the lowest string up, everything left ringing.
Instrument
350
150

Style

Shows each chord the way this style would voice it, and marks which of its alternatives belong to the idiom.

Layout

Left Handed Mode